Tuesday, March 12, 2013
Writing is Writing, Who Knew
Sunday, October 28, 2012
James River Writers Conference 2012 - Part 1
Monday, October 15, 2012
Help for Us All
One way to balance the showing and telling of physical description is to showcase a few details that really help 'tell the story' about who your character is and what they've been through up to this point. Think about what makes them different and interesting. Can a unique feature, clothing choice or way they carry themselves help to hint at their personality? Also, consider how they move their body. Using movement will naturally show a character's physical characteristics, keep the pace flowing and help to convey their emotions.
Wednesday, April 18, 2012
Why Writers Need Others Too
At times our own light goes out and is rekindled by a spark from another person. Each of us has cause to think with deep gratitude of those who have lighted the flame within us. - Albert Schweitzer
Thanks to Jenniefer Kirk, Kirks Folly newsletter, Kirks Folly Jewelry [KirksFolly.com]
And from JRW 2011 Conference Pitch-a-palooza winner Kevin Hanrahan where he talks about his journey as a writer [and as a soldier], and lessons he’s learned, and is learning along the way, about writing and getting published.
The stories we tell ourselves shape our lives and our world….
See previous post about Noah Scanlon comments on his art a day project, talked about at last JRW Writing Show……
Saturday, December 17, 2011
Talking Too Much????
If it’s you, then you should know who you are. Don’t you?
Not sure these ideas would really help you but maybe….. I did come across this great post that will help you look at and determine if your characters are talking too much.
Might help you in other ways other than just your writing.
And since fellow writer and I were just talking about this recently will definitely help him.
While you are there looking, check out the rest of the blog. There’s some Good stuff there!
And do Please come back here and let me know what you find! I haven’t had time to look through it much either.
[Do I Really Need to tell you how behind we are with Holiday stuff??? No decorations up. No cards done. Still have baking / presents to do. Wrapped ones needed for this weekend…. Mostly. And so on and so on …. Sigh…..]
I send Great Thanks to for finding this:
PCrutcher Paige Crutcher
Hints that you have too much dialogue and helpful fixes: bit.ly/vPLCmE @NovelEditor #writetip @elizabethscraig
Saturday, July 30, 2011
Query Letter Tips
For those that don’t follow the Query Shark blog, or on Twitter, this is a tip you might have missed.
And since I was having this conversation a few weeks ago with a couple of writer friends, I thought all you friends out there might want to see it as well.
I mean we are All pretty busy and I know I appreciate it when you all tell and send me things.
The Query Shark says:
you don't need to tell me it's a simultaneous submission. I assume you're querying widely. Unless an agent specifically requests to know that you can leave it out. And you don't want to spend words on something you don't need to say. Use as many words to entice me to read this instead of covering housekeeping matters.
So what have you come across or heard that I should know?
Come on now, I share with you!
Thursday, June 25, 2009
Editing is hard work
Editing is hard work. I think harder work than writing the darn thing in the first place. And sometimes I do wonder if it is really an art form in and of itself. Course then I think, well, it can't be totally apart from writing, since you have to have Something To Edit! But they do need to go together. Hopefully in a harmonious relationship, but that's not always - or maybe even usually the case.
All of a sudden I’m seeing interesting ideas on editing, and how to edit --- which has caused me challenges in the past, changing and paring down extraneous words so much it sucked the life out of the story. But at least I recognized that. And as we’ve been told, if we can recognize the problem, that at least goes a long way to figuring out how to fix it. And I learned a Lot from a session mystery writer smartie Donna Andrews gave on editing that was invaluable. And while Donna Andrews isn’t going to be doing a session on editing at the James River Writers Conference in October, she is going to be there talking about writing and her books, so be sure to check out the Conference and Donna’s sessions --- of which I do have one so do come see us ;) --- http://jamesriverwriters.org/
But in meantime I came across these – the first from an interview in Poets & Writers magazine, I just snipped the part on editing but there were some other interesting things in the interview also…. Just unrelated to this post in which I’m talking about editing, and the things I thought helpful and interesting.
How ‘bout you? How about sharing your great editing tips?
Or any really great writing tips….
Anyway, here are the ones that struck the timpani with me…..
http://www.pw.org/content/agents_editors_qampa_jonathan_galassi
I think you learn it by watching how the people around you work with authors, and it happens almost by osmosis. There are many different styles of editing, too. It's an apprenticeship. There are courses you can take to learn the mechanics of the business, like the Radcliffe course, but I don't think they teach you how to edit. Editing is more by-the-hip.
You look at a text and ask yourself how it can be improved.
And this from Writers Digest.com They also have their 2009 - 101 Best Sites for Writers up. So while you are there to look at the best sites check out some of the other neat stuff there too. Like this one on editing that I'd never heard before and I thought was Really good/interesting….
Tip of the Day
Mistake 44: Overediting and Removing Subconscious Seeds
Source: 70 Solutions to Common Writing Mistakes by Bob Mayer, from The Writer's Digest Writing Kit
Why this is a mistake: There are writers who overedit what they write during the process of completing their work. Why is it a mistake
to polish a work-in-progress?
First, you are polishing writing that you might need to cut later on. This means that you are not only wasting time editorially, but making it that much harder to cut the material when so much time has been invested.
Second, you plant subconscious seeds in your early drafts. You put in things that sometimes seem to not quite belong. Yet. And if you overedit, you take them out too soon. Because later on, when you get stuck in chapter twenty-eight, if you go back and re-read what you wrote earlier,
you’ll discover you need that seed, that your subconscious put it in way back when, “knowing” you would need it.
Third, you end up spending a lot of time editing and not getting to the end of your work.
The solution: Don’t overedit your early drafts of your work, no matter how tempted you are. Move forward in the project. Don’t worry about those weird things in the early drafts that nag you. The nagging is good; you just might need those weird things later on.